Nicholas Royle’s fifth short story collection, Manchester Uncanny investigates the strange ways of the ‘original modern city’. Haunted by the ghosts of Ian Curtis and James Anderton as much as by its own pre-bomb sooty demeanour, Manchester today is a city of shiny surfaces that may or may not offer a true reflection of who we are – or who, in a world increasingly in thrall to identity politics, we think we are.
 
‘Royle is a master of the uncanny’
Manchester Review of Books
 
Sixteen stories from the last two decades, including three brand-new pieces, demonstrate Royle’s range of voice and approach, from accessible experimentation – a story designed to be read in any one of 362,880 ways, another made exclusively out of the lyrics to Unknown Pleasures – to more conventional but equally dark narratives of snooker halls, secret pools, university life and ‘people texture’.
 
Manchester Uncanny is the second in a series of city-based short story collections by Nicholas Royle. London Gothic was the first. The third and final volume will be devoted to Paris.
 
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